"We've been manipulated into expecting that what we buy can fill our innermost voids, regulate our emotions, repair our moods, or provide us with a "perfect" image...
...shopping is a way we search for ourselves and our place in the world. Though often conducted in the most public of spaces, it's essentially an intimate and personal experience - as we taste, touch, sift, consider, and talk our way through myriad possibilities. Shopping involves searching not only externally, as in a store, but internally, through memory and desire. It's a vehicle for self-expression, self-definition, creativity, even healing - an interactive process in which we dialogue with people, places, things, and parts of ourselves.To have a good, rather than a goods, holiday, remember first of all that the good life comes from doing things, not from having them."
5.23.2017
3.28.2016
One Art
BY ELIZABETH BISHOP
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.
—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.
10.14.2012
10.25.2011
La Vita è Bella
Barcarolle - The tales of Hoffman. Jacques Offenbach
"Vieni Giosuè. Vieni. Ma qui dove siamo? Forse ho sbagliato strada, Giosuè. Giosuè bravo, dormi. Vai. Fai un bel sogno. Vai. Forse è tutto un sogno per davvero. Si sta sognando, Giosuè. Domattina viene la mamma a svegliarci e ci prepara due belle tazze di caffellatte con i biscotti. Prima si mangia. E poi io ci fo all’amore due o tre volte … se ce la fo.."
8.31.2011
"She was awakened all of a sudden by a loud banging. She looked at her watch 11:15. She lurched out of bed and opened the door of the balcony. Gusts of wind made her take a step back. She braced herself on the doorjamb, took a cautious step onto the balcony, and looked around.
Some hanging lamps around the pool were swinging back and forth, creating a dramatic shadow play in the garden. She noticed that several hotel guests were standing by the opening in the wall, looking out at the beach. Others were grouped near the bar. To the north she could see the lights of St. George's. The sky overcast, but it was not raining. She could not see the ocean in the dark, but the roar of the waves was much louder than usual. The temperature had dropped even further. For the first time since she had arrived in the Caribbean she shivered with cold.
...
As she reached the road to St. George's she staggered in the wind that tore at her body, and then she began to jog. She was heading stubbornly into a heavy headwind that made her reel. It took almost ten minutes to cover the four hundred yards to the shack. She did not see a living soul the whole way there.
The rain came out of nowhere like an ice cold shower from a fire hose. At the same instant, she turned in towards the shack and saw the light from his kerosene lamp swinging in the window. She was drenched in a second, and she could hardly see two yards in front of her. She hammered on his door. George Bland opened with eyes wide."
The Girl who played with fire, Stieg Larsson
Some hanging lamps around the pool were swinging back and forth, creating a dramatic shadow play in the garden. She noticed that several hotel guests were standing by the opening in the wall, looking out at the beach. Others were grouped near the bar. To the north she could see the lights of St. George's. The sky overcast, but it was not raining. She could not see the ocean in the dark, but the roar of the waves was much louder than usual. The temperature had dropped even further. For the first time since she had arrived in the Caribbean she shivered with cold.
...
As she reached the road to St. George's she staggered in the wind that tore at her body, and then she began to jog. She was heading stubbornly into a heavy headwind that made her reel. It took almost ten minutes to cover the four hundred yards to the shack. She did not see a living soul the whole way there.
The rain came out of nowhere like an ice cold shower from a fire hose. At the same instant, she turned in towards the shack and saw the light from his kerosene lamp swinging in the window. She was drenched in a second, and she could hardly see two yards in front of her. She hammered on his door. George Bland opened with eyes wide."
The Girl who played with fire, Stieg Larsson
8.12.2011
The Laughing Heart
your life is your life
don’t let it be clubbed into dank submission.
be on the watch.
there are ways out.
there is a light somewhere.
it may not be much light but
it beats the darkness.
be on the watch.
the gods will offer you chances.
know them.
take them.
you can’t beat death but
you can beat death in life, sometimes.
and the more often you learn to do it,
the more light there will be.
your life is your life.
know it while you have it.
you are marvelous
the gods wait to delight
in you.
Charles Bukowsky
your life is your life
don’t let it be clubbed into dank submission.
be on the watch.
there are ways out.
there is a light somewhere.
it may not be much light but
it beats the darkness.
be on the watch.
the gods will offer you chances.
know them.
take them.
you can’t beat death but
you can beat death in life, sometimes.
and the more often you learn to do it,
the more light there will be.
your life is your life.
know it while you have it.
you are marvelous
the gods wait to delight
in you.
Charles Bukowsky
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